It’s to Barnes’ credit that, despite his experimentation, every song he records has his stamp—those churning melodies, the faintly androgynous vocals, the comically vast lyrical vocabulary. Verified Purchase. Singer Kevin Barnes said the album's sound was influenced by 1980s-style "extended dance mixes" and explained that he "also decided to abandon the 'live band in a room' approach. Music. For more than a decade, he’s been documenting his emotional crises on Of Montreal albums that double as catalogs of his recent obsessions. But it’s simulated reality that makes these apparently unrelated sounds and ideas hang together, in one of the most cohesive Of Montreal albums since their 2007 masterpiece, Hissing Fauna, Are You the Destroyer? Before that, 2015's Aureate Gloom took musical influence from '70s New York punk. While he also continues to abandon a practice of recording with a live band -- one that may have ended with Aureate Gloom -- he is joined on the album by some key long-distance contributors. Sophie Calle Private Game/Every Person Is a Pussy, Every Pussy Is a Star. Sophie Calle Private Game/Every Person Is A Pussy, Every Pussy Is A Star! The overall impression is of some outside force—perhaps an alien species with next-level programming skills and a sick sense of humor—adjusting each track as it plays. In a statement about the record, Barnes explained that he used the same drum sample packs across tracks to get a consistent and characteristic sound. Still, as Barnes is often wont to do, White Is Relic/Irrealis Mood doesn't sound quite like anything they've done prior, once one looks beyond its distinctively serpentine quality and Barnes' calling-card loquaciousness. Taken together, White Is Relic/Irrealis Mood offers convoluted yet catchy dance-rock that lures with flamboyant basslines while reflecting a dancing-while-anxious Zeitgeist. In fact, Barnes did compose the album as a sort of disembodied intelligence, incorporating the contributions of remote collaborators instead of gathering a band in the studio. With White Is Relic, Danceteria season approaches. Cribbing from DJ Screw, Barnes often slows down just one element of a song, creating the spooky sensation that it’s playing in two different dimensions at once. Pitchfork is the most trusted voice in music. Soft Music/Juno Portraits Of The Jovian Sky 2. “Body dysmorphia, I know how it feels,” he chants, as the music translates that perceptual distortion into aural terms. I cannot stop listening to this album. On the ghostly “Writing the Circles/Orgone Tropics,” the compulsively self-dramatizing singer seems to be chiding himself with the observation, “This acute loneliness that you feel has nothing to do with other people.” But even if your tolerance for white artists discovering racism two decades into their career is high, it’s sure to be tested by some of Barnes’ more self-indulgent lyrics. White Is Relic/Irrealis Mood, an album by of Montreal on Spotify. Lyrics grapple with sociopolitical and societal topics like intersectionality, gentrification, and online-only encounters -- to name a few from the slinky opening track alone -- as well as sex, drugs, and music. Zac Colwell (woodwinds, synths, percussion) is a former collaborator whose judiciously placed saxophone reinforces the '80s effect here, and touring bandmembers JoJo Glidewell (synths, keys) and Clayton Rychlik (drums) have been part of Of Montreal's recording core for much of the 2010s. ", This page was last edited on 26 August 2020, at 01:43. That’s where he channels the work of Angela Davis, Ta-Nehisi Coates, James Baldwin, as well as the words “white is relic,” for better and worse. Polyvinyl ... the comically vast lyrical vocabulary. Although it has the ring of stoner mysticism, simulated reality is an actual theory that scientists and philosophers have seriously entertained. Punctuated by fluttery horns and synths that recall zippers on nylon, the long instrumental passages really do give the impression that Barnes has remixed his own compositions. Something feels off with White Is Relic/Irrealis Mood, though: these six songs—none shorter than five minutes, with several pushing beyond the … Soft Music/Juno Portraits of the Jovian Sky. https://en.wikipedia.org/w/index.php?title=White_Is_Relic/Irrealis_Mood&oldid=974978795, Short description is different from Wikidata, Album chart usages for BillboardIndependent, Creative Commons Attribution-ShareAlike License, "Soft Music/Juno Portraits of the Jovian Sky", "Plateau Phase/No Careerism No Corruption", "Sophie Calle Private Game/Every Person Is a Pussy, Every Pussy Is a Star! When they give way to one of the devastatingly plainspoken lines he’s also capable of writing—“It’s good for us depressives to keep someone else alive” on “Sophie Calle,” for example—it’s like he’s lifting a curtain to reveal a shaft of midday sunlight. At a debate on the subject a couple of years ago, moderator Neil deGrasse Tyson confessed, “It is easy for me to imagine that everything in our lives is just a creation of some other entity for their entertainment.” The theory gained currency, for obvious reasons, after Brexit, the 2016 election, and the odd best picture mix-up at last year’s Oscars.

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