She tries to go farther but she drowns. Ne andrò lontana" from the opera La Wally. He brings her to a place for massage and meets Ming (by Hu). Fi blames and slaps Man in the backstage. We meet a young Parisian mailman. Red is surrounded by a lot of journalists. Feeling guilty, Jules returns Cynthia Hawkins' dress. She complains the singer who is rehearsing despite the fact that she was late. Man tells her the contrast between J and her label will end. They meet again in a swimming pool. She collapses. It is one of the early French films to let go of the realist mood of 1970s French cinema and return to a colourful, melodic style, later described as cinéma du look. J and Man are seen in a salon. He hears an interview done by J in the television. Red wakes up and says sorry to him, but he is really angry and jealous and says "Don't meet forever!". David Denby, in New York, upon its 1982 American release, wrote "One of the most audacious and original films to come out of France in recent years...Diva must be the only pop movie inspired by a love of opera."[9]. She also blames him causing she and Lok to break-up. She then crys. Please provide the following details precisely: Click on the image to start LOOP creation! She leaves the hotel secretly with Nam. He knows that she is a celebrity. They smile at each other. Audio:Dolby Digital 5.1, DTS Digital Surround, Released date:October 25, 2012 The opening shots inform us with authority that "DIVA" is the work of a director with an enormous gift for creating visual images. After some time, Man thinks she has gone inside for too long. [6] A blu-ray edition was released by Kino Lorber on August 11, 2020. He receives the cheque. She meets a worker and sign for his daughter. Red is attending an event in a shopping centre and about to sing. But he is abducted from outside her hotel by L'Antillais and Le Curé who were lying in wait for him; they take him to his loft apartment with the intention of killing him there. The show is about to start. Man steals J's phone and types "Thank You" in response to Ah Gung's Weibo. The film also suffers from some uneven pacing, its breathtaking action sequences often followed by languorous scenes that offer as much excitement and interest as watching paint dry. Film critic Roger Ebert gave it four out of four stars and praised its cast of characters. [3] The film became a cult classic and was internationally acclaimed. J is shooting a commercial of SensaCools. Man agrees and leaves. Man is in a jewelry shop. They ask her is she arguing with her boyfriend. Diva is a masterpiece and a surreal film experience that constantly keeps the viewer on edge as the story progresses. Directed by Jean-Jacques Beineix. Man comes to visit her and talks about the plan of the movie. Wonderful use of camera work, rich vivid colours and lots of unexpected twists and turns. J walks into a room full of her concert outfits with high heels. Later, Jules accidentally comes into possession of an audio cassette with the recorded testimony of a prostitute, Nadia, which exposes a senior police officer, Commissaire divisionnaire Jean Saporta, as being the boss of a drug trafficking and prostitution racket. He calls her and orders her to come back. Diva is a 1981 French thriller film directed by Jean-Jacques Beineix, adapted from the novel Diva by Daniel Odier (under the pseudonym Delacorta). She then appears in the salon, but Man still does not let her to be a singer. Two police officers are now after Jules, seeking Nadia's cassette, although they only know that it incriminates a prominent gangster and not that the gangster is actually their superior. After his service, J's voice is recovered. J's phone is ringing, a call from Man. Man comes to find her and wants to sign her. Saporta sets off the explosion, inadvertently killing the two Taiwanese, but not Gorodish. Ming teaches her how to test if she is happy or not. Lok's friends are watching a video of the night when they had the hotpot. Jules is spotted and chased by the two police officers, but he escapes by riding his moped through the Paris Métro system. Saporta then appears, kills his surviving henchman, and attempts to kill Jules and Paula, intending to make it look like his dead henchman shot them. A third party seeking him are two Taiwanese men, who are after his unique and valuable recording of Cynthia Hawkins. J is sitting under a tree, listening MP3. [7], The film initially was not a commercial success after its March 1981 release in France, where it faced bad press and a hostile reception by critics. The producer tries to rape her. The digital booklet was later removed for unknown reasons. In the film's final scene, Jules plays his tape of Cynthia's performance for her and she expresses her nervousness over hearing it because she "never heard [herself] sing. The worker who got the signing from J falls down from the high building structure. Red and Lok live together. He tells her his story of being a diver when he was young. Nadia drops the cassette in the bag of the postman's moped moments before she is killed by Saporta's two henchmen - L' Antillais and Le Curé ("The West Indian" and "The Priest"). Yet, taken as a whole, if you don't peer too closely beneath its shiny surface, Diva offers an … "[12], The film was entered into the 12th Moscow International Film Festival[13] and was selected as the French entry for the Best Foreign Language Film at the 54th Academy Awards, but was not accepted as a nominee. She cries while hugging the piece on the ground. Red sings "Are U Okay?" A Gerendai titok 4. rész - Az emberi valóság, (1917) Charlie Chaplin - The Cure - color.mp4, (1917) Charlie Chaplin - The Immigrant.mp4, (1916) Police Charlie Chaplin _ Edna Purvianc. Lok is running to a singing competition which Red is going to perform. She seems to be happy. Commissaire Saporta pays off Gorodish, but places a remote control bomb under his car. Duration:102 minutes The whole film ends. The scene is inter-exchanging between J's rehearsal and performance of a concert in mainland China, J and Ming having fun when doing massage, Red being tired when doing a lot of work in singing and Lok's work in the bar. Gorodish and Alba drive Jules to a safe house outside Paris, a remote lighthouse, in Gorodish's antique Citroën Traction Avant.

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