The film is among this year's very best.". Wrote Salon's Matthew Rosza, "Midsommar isn't just a great horror movie, or proof that director Ari Aster is a budding auteur who likely has a bright future ahead of him. Hailed as one of the very best films of the year, The Farewell is a quiet little picture that just might make a lot of noise come Oscar time. The separation of Brooklyn theater director Charlie (Adam Driver) and actress Nicole (Scarlett Johansson) begins with amicable intentions but soon devolves into a costly and traumatizing legal war that’s carried out by cutthroat, self-interested lawyers (Laura Dern, Ray Liotta), and strands the couple’s young son Henry (Azhy Robertson) in the middle of a figurative (and, at one point, literal) tug of war. That would be Moondog, a South Florida “bottom feeder” who, having set aside his once-illustrious poetry career, is now content to coast through his beachside town’s many imbibing establishments, looking for his next toke, drink, and beautiful woman to bed. 28 The Lego Movie 2: The Second Part $105,806,508 29 Hustlers $104,960,643 30 1917 $100,000,000* 31 Little Women (2019) $100,000,000* * Still in theaters. Our second Apocalypse Now nod in this list is Alejandro Landes’s deeply mad thriller about a wild cult of teenage bandits who have rituals, guns and a hostage – but no Colonel Kurtz. Read the full review. Aspiring London filmmaker Julie (Honor Swinton Byrne) falls for older, cultured Anthony (Tom Burke), who has a habit of making every compliment sound self-serving. Indebted, spiritually if not narratively, to Andrei Tarkovsky’s Solaris, Denis’ story concerns a space ship on which a doctor (Juliette Binoche) attempts to successfully conceive children through experiments with convicts – including Monte (Robert Pattinson), who’s introduced caring for an infant, alone, in what’s soon exposed as a flash-forward – as they all hurtle toward a black hole whose energy they seek to harness. From producer Guillermo del Toro and director André Øvredal (The Autopsy of Jane Doe) comes the big-screen adaptation of the beloved childrens' book series Scary Stories to Tell in the Dark, which weaves elements of the series' mythology into its spooky tale of a group of teenagers who discover the lost writings of a very troubled little girl. Set in an unearthly department store, Peter Strickland’s bizarre ghost story sees Marianne Jean-Baptiste battling a frock from another dimension. Roiling passions lurk beneath the painterly facades of Portrait of a Lady on Fire, and director Céline Sciamma demands that one inspect her frame—and her characters’ faces—to locate them. Read the full review. ", The flick's visuals were singled out for praise early and often, and while its story didn't quite hit the sweet spot for the majority of reviewers, its characters were found to be charming and memorable, especially Bennet's protagonist. Read the full review. It's a brave new world, to be sure... but don't start playing the funeral march for your local multiplex just yet. The first live-action Spidey vehicle to ever break a billion at the global box office may have been a touch preoccupied with Peter Parker's reaction to the death of friend and mentor Tony Stark, but that's only fitting — it was on all of our minds, too, and Far from Home provided a bittersweet sendoff for the armored Avenger who, even dead, is the hero. Read the full review. Sold at a department store by a saleswoman (Fatma Mohamed) with a nefarious true identity, the satanically erotic garment preys upon the sexually repressed and/or unfulfilled, all while fluttering and hovering about like a sinister specter. We rank the best Legendary Pokemon based on power, design, and story. “If something’s broken, it stays broken,” intones Bo (Lorraine Toussaint) at the outset of Fast Color, which then proceeds to show that things – and people – can be mended through the power of family, love and connection to the past.

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