Although many of my students are also children of immigrants, as time passes, the tragedies and triumphs of those who came before us lose their vividness, and perhaps, their poignancy. Ana is currently a second year-student at the University of California Merced.Â. Although it’s easy to interpret Professor Sharim’s film as a glimpse in to … What unfolds in this family’s stories are within-family struggles that are clearly microcosms of larger societal and cultural issues that each family member faces….Perhaps the most important aspect of Sharim’s film is that it is a brutally honest depiction of refugee life in America. By feeling we don’t think about cheap sentimentality as manipulation in an effort to empty any dialogue. Samira wears a t-shirt that features Minnie Mouse. The fading of those experiences is probably the blessing of healing and resilience, even if we need to remember and honor those experiences. Spanish? Mother’s pilaf? Karla's main source of inspiration comes from nature and her activist work together with undocumented communities across Houston. Nine-year-old Hana is bold and brilliant and struggles to be heard while her family comes to grips with life in the sprawling Texan metropolis, constantly reaching out to all that is gone but is still here: a hunger for the future, and songs about a kind world. Farsi melodramas compete for audibility with songs by Justin Timberlake. Hana wears one that proclaims “after this there’s pizza.” The children are charged with shining shoes that somehow never become quite clean. Her writing and editing is inspired by the music her working-class, immigrant parents introduced to her early on: rancheras, banda, norteñas, and baladas. We want to encourage others to not be silent. Hana playfully wears a blonde wig that brings home the contrasts between who she is and the value system of the society in which she lives. Thank you Ray, Wood, Joshua Doering, JMCandleClock, Andrew Souther, Martin Fiebig, Jake Shapiro, Tom Knackstedt, Jake Gonzalez, Nathanael Swenson, Jim Klodzen, RuhTheFerret, Donald Blevins, Valérie Trépanier, Jillian Slinger, Michael Eubanks, Zaq, Fallon Alastair, Patrick Streil, Joshua Emmel, and Josh Geiple.Business inquiries: elise.ecklund@outlook.com Flora Sharim has always been a passionate film lover, even after returning home from her daily job, she found film as a way of breathing, being, and surviving. It focuses on seemingly small events inside small spaces to pose big questions about how people struggle with the hand that history has dealt them in a time of devastation, dispossession, and displacement. We use the word emotion as a way to refer to this sensitivity and this precious ability to sense and feel, reminding us of our connectedness and shared experiences, and all that is always greater than us. ‍What are the challenges of border-crossing from the perspective of youth, who are still shaping their world views? Oops! It is a single-verse-long song, written in an infinite-loop motif in a march style, such that it naturally flows in a cyclical fashion, repeating the same verse over and over. From his early childhood years in Iran, he was attracted to all that cinema can offer: kindness, new visions, a dark room where strangers meet, and then share an adventure. As is true for everyone, sometimes they succeeded and sometimes they struggled. Your submission has been received! Although it’s easy to interpret Professor Sharim’s film as a glimpse into a refugee family’s daily travails, that take would be incredibly simplistic and unfair. As is true for everyone, sometimes they succeeded and sometimes they struggled. In her next project. thank you for supporting me in this endeavor.the ukulele i play in this video: https://amzn.to/2NW9DQZthis uke is a different color than mine, but the same designINSTAGRAM: https://www.instagram.com/eliseecklund/TWITTER: https://twitter.com/EliseEcklund PATREON: https://www.patreon.com/eliseecklundMERCH: https://teespring.com/stores/elise-ecklundBig thanks to my patrons who support me and help make these videos possible!

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