The 400 Blows essays are academic essays for citation. The 400 Blows (1959) is Francois Truffaut's brutally honest and emotionally in tuned take on a coming of age drama with his French New Wave style. A small-time thief steals a car and impulsively murders a motorcycle policeman. Use the HTML below. Two neighbors, a woman and a man, form a strong bond after both suspect extramarital activities of their spouses.
A seminal French New Wave film that offers an honest, sympathetic, and wholly heartbreaking observation of adolescence without trite nostalgia. A seminal French New Wave film that offers an honest, sympathetic, and wholly heartbreaking observation of adolescence without trite nostalgia.
The French-language Lachenay commentary features optional italicized subtitles.This 16 mm screen test footage from 1958 features an interview with actor Jean-Pierre Léaud, some improvised dialogue between Léaud and Patrick Auffay (René in THE 400 BLOWS), and an audition by Richard Kanayan (who plays one of the children and went on to appear in François Truffaut’s SHOOT THE ...This newsreel excerpt from François Chalais and Jacques Planche’s “Reflets de Cannes 1959” depicts the excitement of THE 400 BLOWS’ reception at the festival (François Truffaut won best director), along with the young Jean-Pierre Léaud’s thoughts about being in the acclaimed film.In this excerpt from the February 20, 1960, episode of “Cinépanorama,” director François Truffaut discusses the global reception of THE 400 BLOWS, which had just been named best foreign film by the New York Film Critics Circle, and undertakes some self-critical evaluation of his work.In this television excerpt from December 2, 1965, François Truffaut discusses his youth, writing for “Cahiers du cinéma,” and the character Antoine Doinel. Told from the point of view of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows (Les quatre cents coups) sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.
He's sent to a juvenile detention facility where he doesn't do much better. The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev. The 400 Blows, French Les Quatre Cents Coups, French film drama, released in 1959, that defined the New Wave cinema movement created by young French directors in the late 1950s and ’60s.
Told through the eyes of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), THE 400 BLOWS sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. Biography
Literal translation of the expression would be "to do the 400 dirty tricks". In a decrepit South American village, four men are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe. Told through the eyes of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), THE 400 BLOWS sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. Inspired by Truffaut's own early life, it shows a resourceful boy growing up in Paris and apparently dashing headlong into a life of crime. A timeless coming-of-age film from François Truffaut, The 400 Blows captures the ups and downs of adolescence with an honest voice, humor, and a great deal of sympathy. His parents have little money and he sleeps on a couch that's been pushed into the kitchen.
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