Dave Righetti

Découvrez Jadis Electronics, spécialiste de la fabrication d'amplificateurs à tubes de puissance, de préamplificateurs et d'amplificateurs à tubes intégrés de très grande qualité à Villedubert (11) Everything sounds just correct. There's no provision for warmup/standby mode as with Jadis's larger amps. As our brothers in … The filament voltage is very finely regulated. The Jadis I-35 ($7995) is a true integrated amplifier, inasmuch as it incorporates both a stereo power amplifier and an active stereo preamplifier—the latter instead of a mere passive line stage. And we evaluated a cornucopia of 300B tubes which were slipped into the waiting sockets of these amps: the VAIC VV30B and the less-costly VV300B; the long-anticipated and very suave Western Electric 300B (see my interview with Westrex's Charles Whitener elsewhere in this issue); Chinese Golden Dragon 300B Supers; the not-quite-ready-for-prime-time ESTi 4300BLX; Audio Note-branded 300Bs (carbon-plate ESTi, I'm told). When Jadis amplifiers first hit the audio market, they caused a real flutter in the High-End hen house. Tube matters I’ll be the first to admit that I was more than a little dubious after uncrating and surveying the Jadis DA88S MkII integrated amplifier. It is important to have a large output transformer because a direct current crosses the primary in this construction, while in a push-pull construction, the direct current in the transformer primary cancels itself out.". Quiet, full-bodied, apparent DC-to-light extension, extreme high resolution, wonderful spatial qualities, these cables let the Jadis amplifiers be all they might. "I thought I'd send you input and rectifier tubes that'll work well in the Jadis," he explained. So it was in the fall of 2013 that I leaped at an opportunity to write about the then-new Jadis I-35, a 30Wpc integrated amplifier ($7995)1 that sounded sunny and graceful in my system, which favors amps of modest power. Truly, a match made in heaven. Ultimate Handcrafted Tube Amplifiers. These worked just fine, sounding enjoyably dynamic, bold, and vivid. At this point, even Jimi Hendrix would consider us experienced—if not quite in a Purple Haze. The bandwidth (at –3dB) is from 20Hz to 20kHz, without any feedback. Two years later, I was offered the chance to write about a different Jadis integrated: the considerably less expensive Orchestra Reference Mk.II ($4795). The Tung-Sols were a pleasant taste o' Olde Tyme Tube Sound, much lushfullness, not terribly transparent, and not very dynamic or extended. It seems to me it would have more validity if you had someone like  Roger Waters, or Neil Young saying that it sounds like he intended when he created the original in the studio in the first place. Ex-Goldstein associate and current Jadis importer Garbie was ecstatic! The Jadis SE300B: the Long View This amplifier is drop-dead gorgeous. In addition, there were a quartet of JAN 5R4WGY rectifier tubes from Chatham Electronics, made in the ol' U.S. of A. The distinction may seem unimportant to some, but to those of us who tend to regard passive preamps as somewhat lacking in musical drive and momentum, it is anything but. By 1983, they were ready to form a company to market their hand-built equipment and they called it Jadis. Using the Eurythmie speakers, which supplanted the 3As in our system, we've listened to Gordon Rankin's Wavelength Cardinal XS monos, the Kondo-san Audio Note Kasai parallel 300B stereo amplifier (next SE review to come), the ebullient and eager-to-please Cary 301SE 300B stereo unit, and the Jadis single-ended triodes, as well as our reference Jadis JA200s (yes, Jadis also does push-pull). According to Jay Rein of Bluebird Music, the company that distributes Jadis in North America, the Orchestra Black is specially made for … I remember some of the reviews of the early JA-200 that appeared in the print journals of the period. The price seemed truly outrageous. In a somewhat comical twist of audio fate, the VAIC tubes simply wouldn't fit into the Jadis amps. Jadis SE300B: the Technical View They sounded a little too clean—music seemed robbed of its emotional content. Analog Corner #302: 25 Years and Counting, Acoustic Geometry Room treatments (before & after), My current and likely the last home audio setup, Fascinating wiev by Verity Audio Sarastro, Bose 901 Series 1 & 2/PS Audio/Sony System. Like other Jadis units, the output transformers are handcrafted without any gap in the magnetic circuits, and are used well below their full possibilities (they can be employed on 250W amplifiers.) I'll quote from a spec sheet on the Jadis parallel single-ended triode amplifiers prepared by Jean-Paul Caffi. Like the vast majority of … They created a large soundstage; had good timing, rhythmic pace, and great bass; and sounded fast. (These were egg-cup style 5R4s, with a large solid base that extended up part of the way around the glass envelope.) (For the hoopy-scoopy on these tubes, see my "Brace of Bs" sidebar). A surprise package arrived soon after from what must be the nicest guy in audio, Wavelength's Gordon Rankin. The ESTi 4300s went south of the border almost immediately. On the venerable Radetzky March, for example, the crispness of the trumpets, the precision of the cymbals, and the sheer exuberance of the waltz were fully realized by the Jadis. (See my sidebar on 300Bs for details, and check out my interview with Western's Charles Whitener elsewhere in this issue.) Out, out, damned spot! I dont know how a Jadis DA-30 sounds in my chain, but placing Orchestra Reference ON and listening you may think that this is Jadis top integrated amplifier. Keep that in mind—the following description reveals the sound of these tubes in the Jadis' circuit. This amplifier is drop-dead gorgeous. As I have always found with Golden Dragons of whatever type, they were exciting, dynamic, but slightly bleached and white-sounding throughout the frequency range.

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